A multifaceted cellist, I enjoy collaborating with musicians in many genres. I'm a member of the Om Shalom Trio, an eclectic ensemble that blends traditional Indian Ragas and Jewish melodies. I've had the pleasure of working with Jay-Z, Beyoncé, Kanye West, Billy Joel, Enya, Gòn, Savion Glover, Natalie Merchant and Galeet Dardashti among others from Shea Stadium to the White House and often organize ensembles for artists as well. I was the cellist of DBR & The Mission, an internationally touring hip/hop crossover ensemble for 8 years, the Adele Live 2016 tour, and many Broadway musicals.
I co-created 2 scores for Carolyn Dorfman Dance, utilizing cello, shahi baaja, recorder, vocals, and soundscape and have recorded for many labels as well as many day and nighttime TV programs.
As an educator, I’ve taught at BIMA @ Brandeis University, the United Nations International School, a teaching artist for the Lullaby Project and authored 60 Seconds to Excellence, published by Ovation Press.
No submissions for Beyond Music Project Volume 4.
Inspired by Lincoln Nigun, Peaceful Tide is the coalescence of Indian and Western Classical music,Jewish and Bengali Folk music.It is a musical expression of our potential to connect with one another; bridge cultural, religious, and geopolitical divides. The three instruments featured in this composition are the Sitar,Cello,and Tabla.The two string instruments alternate as the central melodic expressions, and a musical dialog. Sitar begins the conversation on a melody followed by Tabla with a rhythm then Cello joins in with first improvisation.
As a musician, I view conflict as a catalyst for creativity. Music itself is an expression of conflict: musical notes and instruments play against and with one another to articulate a thought, at times harmonious and at times discordant. Dance Arabia is a combination of Bangladeshi Folk and Middle Eastern music traditions. The dominant driving force in this composition is a syncopated rhythm. The Riq drum creates an upbeat rhythmic structure which is continued by the Tabla and melody, played by Cello and Sitar, follows the rhythmic structure.
“Ma” was written as a series of pieces inspired by a baby’s first syllables by Jessie Reagen Mann. Ma, a common sound in a mother’s name in many languages, was written with the feeling of joy that a baby can bring a mother. Parenthood brings many emotions, often resulting in conflicting thoughts for a mother postpartum. The simplicity of this melody, combined with the complex harmonies and sounds of the Cello, Sitar and Tabla, paint a beautiful complex world in which a child enters.
No submissions for Beyond Music Project Volume 2.
No submissions for Beyond Music Project Volume 1.