The voice and the Kyl are dancing with eachother: it’s a dialogue between the inner & the outer world, merging the human being with the universe. There is no lyrics. It is about pure sound… Raag Darbari Kanada/D matches best the Kazach folk musicsystem/K. Nevertheless of the same scale, these 2 musicsystems are conflicting: the minor 3rd & the minor 6th are high in K. & very low in D. etc. The ongoing electronic beat & the playing around consciously with these differences is merging the Kyl and the voice, harmonizing this conflict.